It is indeed a testament to the imagination of Koi Mil Gaya’s film makers that they could take such highly atypical material – a science fiction tale of an abandoned alien and the lonely boy who helps him make contact with his home world – and Bollywoodize it. It is these anxieties which the films work to release, by resurrecting the ancient hope of the hero who can overcome the dreadful binds we all fear to be caught in. and Koi Mil Gaya express more than anything the anxieties which underlie the norms of adult manhood in both contexts. The bittersweet paths we see boys take to become men in both E.T. Placing these two versions of one story side by side thus helps elucidate the different tropes through which Hollywood and Bollywood succeed in capturing popular desire (and making a buck off it) and in particular, the heroes they construct to do so. What is striking about the comparison is how different the films manage to be, despite sharing all essential plot elements. the Extraterrestrial, provides an excellent opportunity to compare this most current of Bollywood products to the original, a classic of contemporary American cinema, re-edited and re-released on its 20th anniversary last year. Given the perduring distance between Bollywood and Hollywood, two of the largest and most prolific film industries in the world, the recent release of the Bollywood film Koi Mil Gaya, loosely based on Steven Spielberg’s science fiction classic, E.T.

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